The retreat this past weekend went very well. One of our best experiences, I think. I'll write more about it when things quiet down a little around here, but here's the dramatic reading Heather wrote to get us into the story of the widow's two coins:
I have walked two miles today, and now
I am at the Temple. The house of God, the glorious place, where I
will do what I have got to do.
But now I stand looking at it, the
white marble pillars, the engraved gold on their tops, and I seem to
shrink into myself. I'm sweating. It's so hot. The beautiful lady
walking ahead of me, with the gold woven into her veil, she has a
servant with her, fanning her with a huge fan. I have my old brown
dress, and my sweat, and the two pennies clenched in my hand. I
follow her in through the high gates, watch the heads turn toward
her. Their eyes slide quickly over me, they don't see me, and why
should they? People don't like to look at ugly things. Not here in
the Temple, where everything is beautiful, to honor God. Not here
where you can hear the choirs singing, even from out in the
courtyard, the music rising like incense—incense and marble and
gold, gleaming in the sunlight, what am I doing here? What did I ever
think God wanted with me and my rough hands and my old clothes and my
ugly face? What did I ever think God wanted with my two pennies, him
that has marble and gold? I should turn around. I should turn and go
home. But I can't face it, the walk. Home under the beating sun, for
nothing. I swore I would do this. I made a vow to God. You're not
supposed to break that. Even if you offered God something he didn't
want. You promised. That's all.
I promised. I go on.
God has everything. He made everything,
all of it is his. Things more beautiful than gold or pillars—the
thousands of stars in the night sky, the red poppies with their
petals softer than the silk that woman ahead of me wears. Water. Is
there anything as beautiful as running water, the way it gleams like
live silver in the sun? A man gave me a cup of water on the way
here—a water-carrier with two heavy buckets he'd probably carried
for a mile, I knew he couldn't afford to be giving it away, but he
did, and smiled and called me “mother” for respect. I never
tasted anything so good. I tried to give him one of my coins—though
I could hardly stand to let it go—but he wouldn't let me. Such a
kind young man, such openness in his face, it made me wish that my
Johanna were still with me. A man like that, that was what she
needed. Johanna. I pray for her every day, and every day I wonder.
Where she is. If she's all right.
God gave me a good life. Oh, you could
say it was a bad one, people do say that; what do they know? I'm
alive, not dead. I still have joy, in a cup of cold water, in the
face of a young man. I have something to give to God, even if they
say it's nothing. My husband is dead, and of my two daughters one
died in childbirth and the other ran away. And yes, it hurts. It
always has and it always will. God hurts, too. It doesn't help to
have gold or stars or incense, I think, when you have children who've
run away, who are living their own nightmares and still will not come
home.
I wanted to give him something. I
wanted to give him something, to tell him thank you, to tell him I
know, to say please, please do all you can for my Johanna and I know
you love her too. And this is all I have, and he knows that; if he
allows it I should be getting a little more next week, but until then
I don't know what I'll eat, and he knows that too. It was the only
way I could do it. I tried and tried to save a little up, but I
couldn't. So I had to, I had to do this for him. He'll take care of
me, I thought. He's taken care of widows before.
But now I don't know. Now I feel
ashamed. The temple shines with gold in the sun and I have come to
give him two pennies. Two pennies, as if they were worth something.
As if I was doing something important, as if me and my sweat-stained
dress were something God wanted to see. What will they use my two
pennies for, in this temple? To buy a rag to wipe the floors with?
What will people think of me, seeing me drop them in the offering
box?
The beautiful lady in her silk dress is
still ahead of me, walking slowly between her servants under the
colonnade, gracefully. She turns aside a little, to avoid a group of
dusty men listening to some kind of teacher. They lean in, all eyes
on him; his face is hard and angry as I pass by, and I hear him
saying “they eat up widow's houses and then they pray long prayers
in front of everyone—”
And I stop for a moment; for a moment I
turn back towards them, because I am amazed. Because yes, they do.
Because Simon, the man who now owns the house I birthed my babies in,
he does, he prays long prayers in the synagogue and everyone thinks
he is holy, and when I went to the judge to say that Simon cheated
me the judge yawned and looked away. Because why should he listen?
Simon is somebody and I am nobody. Nobody at all. And this teacher in
the temple, how does he know?
As I pause, as I look back at the
teacher, he raises his eyes and meets mine. He sees me. His face
isn't hard, for a moment, it's like that young man's, the one who
gave me water. But sadder. Tireder. Like he knows the weight of it,
like me. And for that moment he sees me.
It's only a moment. One of the other
men opens his mouth to say something, and I turn away, hoping they
didn't see me, hoping they didn't see their teacher staring at an
ugly old woman, and her staring back. I go on. The beautiful lady is
there, a few steps ahead, at my destination. The offering box. She is
untying a purse from her belt; it's heavy. Other people are watching
her too. She tips it into the slot, holding it by the bottom; I hear
the heavy ring of the coins falling in, I see the glint of gold.
Someone near me gasps. “All of it!” I hear someone murmur a
blessing. I stand there, not moving, hoping no one sees me.
I am nobody. Nobody.
I stand there for a minute, trembling a
little, as one by one the well-dressed people put their money in.
Silver, gold. I am nobody. I am ashamed.
But I promised.
I step forward, still shaking. There is
no one by the offering box now, no one to shoulder me aside, this is
my chance. Oh God, take what I give, you know it can't be more. You
know I would if I could. Oh God, have mercy on me, have mercy on my
Johanna. I hear the tiny clink of my little copper coin falling on
the silver and gold in the box; one little clink, and then another,
and my hands are empty. I have nothing left to give.
I turn away, quickly, hoping no one
saw.